Not particularly. My life can be sad enough; why add to it with optional things like sad books or movies? I like those endings to be upbeat, even if it's bordering on the unrealistic.
Fair enough! I'm the opposite of you when it comes to endings. I like unpredictable endings, which explains why Game of Thrones is one of my favourite shows. The good guys aren't predisposed to win and save the day, and they're sometimes killed off.Not particularly. My life can be sad enough; why add to it with optional things like sad books or movies? I like those endings to be upbeat, even if it's bordering on the unrealistic.
Some like dark chocolate, some like white! :chuncky: I like a surprise ending once in a while, but I admit it makes me very sad to see my favorite characters not get what they deserve via karma. (Although there have been times when my favorite characters are the villain and I'm sad they finally get killed off. I'm looking at you, Grand Admiral Thrawn!)Fair enough! I'm the opposite of you when it comes to endings. I like unpredictable endings, which explains why Game of Thrones is one of my favourite shows. The good guys aren't predisposed to win and save the day, and they're sometimes killed off.
Beautifully said. Sylvia Plath certainly had an interesting life and it shows in her work. I love her poem "Mad Girl's Love Song." Authenticity is a word that came up for me as well when I came across this topic. I also like how you linked sadness with elation. We're taught to seek and constantly maintain a state of happiness, so when we get sad, some people's first instinct is to cheer themselves up and rid themselves of their sadness. I think it's important to find balance between sadness/happiness. Too much of one leads to the neglect of the other.So much so. Overwhelmingly so.
I relate catharsis to it as well. For as long as I can remember, I've intrinsically linked sadness/suffering with a doorway to its duals - elation/love/resilience, etc. Somewhat of a constant, humming undertone to my existence/general existence. I'm very much drawn to the notion that such afflictions are not only doorways to their parallels, but deeply entangled. In this way, things being "so sad that it's beautiful or so beautiful that it's sad" speaks so much to me. It rushes through me. It's an unavoidable association of either construct that's made of the mind at some level.
I'm currently obsessing over the life and works of Sylvia Plath. That probably says enough. The realness of it (for me) is staggering. I guess that's another thing - the authenticity of all the extremes of the human condition. Vulnerability, etc. There's a real purity in it all.
I absolutely love endings that are beautiful, but in their symbol, like you can see in Pan's Labyrinth, The Fountain, The Wrestler, Requiem for a Dream, Man on Fire etc.Very much so. I'm not a sad person in real life, but I'm drawn to melancholy, the bittersweet.
For me, I love a happy ending, but I want to feel like the characters had to work for it. Somehow seeing them be put through the emotional ringer makes the ending satisfying.
Have you heard Fisher's take on the poem? I love that the song captures that haunting quality that I feel after reading the poem.Beautifully said. Sylvia Plath certainly had an interesting life and it shows in her work. I love her poem "Mad Girl's Love Song." Authenticity is a word that came up for me as well when I came across this topic. I also like how you linked sadness with elation. We're taught to seek and constantly maintain a state of happiness, so when we get sad, some people's first instinct is to cheer themselves up and rid themselves of their sadness. I think it's important to find balance between sadness/happiness. Too much of one leads to the neglect of the other.
I very much feel the same way about it. Here's the first song that came to mind. Written in Honor of Clapton's 4 year old son, who fell from a window of the 53rd-floor of the appartment of his mother's friend.I suppose I don't think of them as "sad things" but rather "True and profound things"
But there is much overlap between the two, no?
A song about, say, a father burying their child... Yes, that's obviously sad. But I'm attracted to the strength, the intensity of the emotions and just how awful such an experience that must be and how poignantly the song captures the universal in the specific and the specific in the universal, not the depressing factor.
I didn't have a specific song in mind when I made up that example, but if anyone knows of some good dead kid songs, I'm game to hear them.
This is exactly how I feel. It's not that I dislike happy stories, it's that they just feel too easy. Watching people overcome their problems, internally or externally, makes the reward seem somehow justified. Even if they are never rewarded (Game of Thrones style) it still invests me in their journey. When a story is too perfect it doesn't feel real. I suppose it's all about contrast.For me, I love a happy ending, but I want to feel like the characters had to work for it. Somehow seeing them be put through the emotional ringer makes the ending satisfying.