I guess, to write my own view:
I do see the lack of anatomy as disturbing, but at the same time I think a lot of the volunteer work with people who've been harmed in their lives can be disturbing. King was not one to shy away from damage or disfigurement.
In some ways I really like how love conquers disgust in this sculpture, because I think that's the key to doing real healing work in the world.
Sometimes things are bad--sometimes people are missing limbs or teeth or parts of their life--that's a natural result of trauma like slavery and racism, and the violence that accompanies them.
But ultimately it is love...loving through the disgust, the fear, the pain, the sadness, the desperation--that is where the true strength and healing lies.
And so I really do like that in many ways--the ugliness of social justice work has been exploited by those who seek to demonize it, and yet it's reality. Pain and suffering are ugly, and they leave ugly marks on society as well as individual's bodies.
But here, we also see the embrace...the humanity in the hands...we see that even in something that seems grotesque at first glance, there can be beauty, so long as there is love.
Because love is the antidote to the grotesque horrors of abuse and racial violence...and underneath the most disfigured figure is a humanity that persists in the form of human love and care...that is more important than the state of one's body or looking perfect.
Ugliness and love can coexist, simply because love is love--no matter what you look like.